Drag Superstar Pabllo Vittar Celebrates Life on Trilingual New EP, '111 1'
An interview with Brazilian drag artist and pop hitmaker Pabllo Vittar about dream collabs, pride in a fascist regime, and new EP '111 1'.
New York-based music & culture writer, editor, and media manager with 5+ years of experience in national & international digital/print editorial and in-depth knowledge of music marketing, promotion, publicity, and booking. Raised in Miami, born in Venezuela.
Published in Rolling Stone, i-D, Remezcla, Billboard, VICE en Español, PAPER, Office, V Magazine, DIY, BeatBitesTV etc. Alt Citizen's 'Of Poets + Punks' Columnist.
Here is a selection of my best clips, ranging from interview to personal essays.
Send me an email at [email protected]
An interview with Brazilian drag artist and pop hitmaker Pabllo Vittar about dream collabs, pride in a fascist regime, and new EP '111 1'.
A personal essay about growing up family, queerness, Latinidad, immigrant identity, and how Bad Bunny helped me find a sense of place.
An interview with political dance punk artist, activist, and Downtown Boys member La Neve accompanying an editorial curated, conceptualized, and styled by me.
A profile of Greg Gonzales of Cigarettes After Sex about his inspirations and new record 'Cry'.
A personal essay about Venezuelan identity, diasporic mysticism, Latinidad, and freak folk icon Devendra Banhart.
An interview with the no wave rock icon on her new book, revolution, and the turbulent times we're living in.
[Note: Article is in Spanish.] An interview with the king of bachata about his new record and his historic upcoming show at New Jersey's MetLife Stadium.
An intimate lyric essay on the new generation of soon-to-be rock legends, and an interview with The Voidz, including Strokes frontman Julian Casablancas, on their new record and an artistic rebirth.
Victoria Legrand and Alex Scally reflect on a decade of collaboration and the strange pulse that beats through their new record.
On the anniversary of the icon's death, the gray areas he moved in remain as head-scratching as they've ever been.