Interviews
Freelance arts and culture journalist with multicultural background in London and Tokyo. Experience as music editor for The STRAND Magazibe, voted best specialist publication at SPA 2024.
Passionate about reporting on how subcultures resist and reshape the modern world, and particularly interested in interviewing musicians at experimental fringes who are changing the scene one song at a time. Featured in Yokogao, The STRAND Magazine, Sabukaru and national recognition in The Japan Times.
Interviews
The veteran bassist proves that jazz is as much about discovery as it is mastery.
Interview conducted in Japanese and translated by Akane Hayashi
Photo by Schorle via Wikimedia Commons (licensed under CC-BY-SA 4.0)Born in 1944, Monty Alexander is an internationally appreciated jazz pianist known for his soulful message, charismatic playing and integration of Jamaican musical expressions. Throughout his 70-year career, he has been nominated for a Grammy, awarded the Order of Jamaica and become a repeated favourite in Jazz festivals worldwide.
The Tokyo trio reimagines ancient sounds and myths into a bold sonic future, half ceremony, half cosmic odyssey.
Photo provided courtesy of Holocene ManagementLondon-based multimedia artist Coupdekat has established herself as one of the freshest artists in the UK's alt-pop scene. Her tracks are infectiously dancable from the outset, all of them charged with her signature youthful spirit.Beyond her discography, she is also one of the founders of 'Loud LDN', an all-female and -non-binary music collective based in London.
Photo courtesy of Chuff MediaAlthough Gentleman's Dub Club and The Skints had often been associated with each other from festival circuits and from collaborating together in studios, their recent 2023 co-headline tour marked the first time they were on the road touring together. Their long-awaited double bill was an iconic combination in the Dub and Ska genre.
Features
Long feature on the history of noise music scene and cultural analysis
No longer behind closed doors, Shibari— Japanese rope bondage— has captivated a global audience. Widely recognised as a kink activity in the SM world, rope can accommodate all bodies, ages, and intentions, as a tool to fulfill parts of our lives that are suppressed and challenge the roles we want to play in them.
Photo by Friedrich Magnussen via Wikimedia Commons (licensed under CC BY-SA 3.0 DE)On June 22 1948, HMT Empire Windrush arrived in the UK, bringing around 500 passengers from the Caribbean with it. The term "Windrush Generation" has become symbolic of the Commonwealth citizens who came to settle in post-war Britain between 1948-1973.
Interdisciplinary essay comparing and contrasting how scholars from two or more disciplines have researched the use of traditional Japanese musical features in Yellow Magic Orchestra. I take into account scholars from music, politics and anthropology to identify how respective fields converse and overlap to allow deepened understanding of YMO’s concept/ intentions, post-war Japanese identity, and cultural exchange.
Image from Nationaal Archief This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Fashion writing on how Vivienne Westwood reimagined the corset in response to her passing away.
Short form copy
Short social media post on Wim Wenders’ Japanese Film
Short social media post on the Japanese youth subculture
Carrier embarks on a year-long experiment designed to help reduce CO2 emissions
Short social media post on noise music scene
Reviews
Japanese woodblock prints have been the water in which artistic imagination has swum, providing sustenance for creativity throughout the 20th Century in Japan and beyond. Amongst the long woodblock tradition, Hiroshi Yoshida and his descendants left an indelible impression on the art form by preserving the tradition and reconciling it with modernity.
Photo by Joi Ito via Flickr (licensed under CC BY 2.0)Ryuichi Sakamoto has had a long and successful career in music as a composer, musician and recording producer. He first gained fame in the late 70s as a songwriter and keyboardist of the synth-pop group Yellow Magic Orchestra, led by Haruomi Hosono, which was at the forefront of electro-pop movements in Japan.
Photo by Spartacos via Wikimedia Commons (licensed under CC BY-SA 3.0)"Anger is an energy," John Lydon yells throughout 'Rise', a song about the South African police interrogation techniques that Nelson Mandela had to endure. Those who remember John Lydon as Johnny Rotten, frontman for the era-shifting band Sex Pistols, would never have predicted the development of his music through his band Public Image Ltd (PiL).
Outcast adolescents beneath the underdog take centre stage in Japanese-American director Gregg Araki's youth-oriented films. Notorious for being violent and provocative, his indie films have remained elusive for the past 30 years, but have gained respect underground for heralding the New Queer Cinema movement.
Review of V&A’s DIVA Exhibition
Cropped cover of the Talking Heads album Talking Heads: 77 Licensed under Public domain via Wikimedia Commons Of all the Talking Heads lyrics, the line "Stop Making Sense" from their track 'Girlfriend is Better' stands out for summing up a lot at once, and it's understandable why the band's 1984 concert film was named after this line.
An exploration of the political implications (or not) of Beethoven's 9th Symphony.
Gig Review of "Test Tone Presents Exit Strategy vol.3" -17 January, Ochiai Soup
Gig Review of Kraftwerk's "Multimedia Tour" -1 May, SGC Hall Ariake Tokyo