Articles (some examples)
I have written across a range of titles in print and online. I am the author of Virtual Music: Sound, Music, and Image in the Digital Era (Bloomsbury), and co-editor of Music and Virtuality (Oxford University Press), Popular Music Education (Routledge), Diva: Feminism and Fierceness from Pop to Hip-Hop (Bloomsbury), and Popular Music Methodologies (Intellect, forthcoming). I have been an editor of various music journals, including the Journal on the Art of Record Production. I have written for online publications including PopMatters, Korea.net, and Bloomsbury’s Music and Sound (as a music biographer).
Specialising in all areas of music and popular culture, I’m available for features and news writing, research and editing.
Articles (some examples)
'99 Problems' but Danger Mouse Ain't One: The Creative and Legal Difficulties of Brian Burton, 'Author' of The Grey Album.
So much remarkable music was released in 1991 that it's difficult to choose just 20 memorable songs without a few omissions. This list conveys how rich and diverse 1991 was
If you're pop lover, it is likely that at least one song in your playlist, has been produced by a Scandinavian hitmaker such as Max Martin. But have you heard of Alexander Bard, a significant music creator to the Scandipop scene?
Books (some examples)
Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers.
The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet.
The diva – a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages.