Weyes Blood's search for the signal in the noise
Weyes Blood discusses the heavy themes of her fifth album, And In the Darkness, Hearts Aglow, on the latest episode of The FADER Interview.
Hello!
I'm an editor at The FADER and the associate producer of The FADER Interview. I'm also a freelance writer, reporter, audio producer and photographer, and the Editor-in-Chief of a multimedia online publication called Laid Off NYC. In 2021, I interned on WNYC's The Brian Lehrer Show. Before that, I was working toward a Master's degree in Cultural Reporting and Criticism, which I received from New York University's Carter School of Journalism in December 2020.
I lived in New Orleans for six years before I moved north, reporting on music and cultural economy. Digging into what made that city's $8 billion-a-year tourism industry tick (pre-pandemic) is what made me want to broaden the scope of my work to include deep reporting.
Journalism school taught me how to report a story thoroughly and conscienciously, and helped me sharpen my writing and critical thinking skills. The Brian Lehrer show taught me what makes great radio, how to work efficiently as part of a news team, and how to write in someone else's voice—in this case, one of the most beloved voices in all of New York City.
Working full time at The FADER, I've learned to break news quickly and accurately and to balance a workload that includes multiple quick posts a day, the production of The FADER Interview podcast, and frequent features—both print and audio—in addition to my responsibilities projects outside the company.
Weyes Blood discusses the heavy themes of her fifth album, And In the Darkness, Hearts Aglow, on the latest episode of The FADER Interview.
On this week's FADER Interview, ANOHNI advocates for the abolition of opposites in advance of her new album, My Back Was A Bridge For You To Cross.
As Decisive Pink, Kate NV and Angel Deradoorian embrace their differences to achieve a sparkling vision of 21st-century krautrock.
Selected Features
[AUDIO] I followed Queens Community Board 4's complete count committee as they fought for census representation. Then COVID hit, and everything changed.
I used the story of a beloved Bushwick DIY Venue to ask larger questions about the past, present and future of underground music in New York City.
I spoke to landlords, lobbyists, civil servants and tenant advocates to get a broad view of the COVID-19 rent crisis.
I explored The New Orleans Jazz and Heritage Festival's byzantine economy, one interview at a time.
I interviewed Gianluca Tramontana and Steve Rosenthal, who released a massive box set compiling a previously under-documented style of regional music from Cuba's Guantánamo province.
I talked to New Orleans culture bearers and service workers to compare different suruvival methods for New Orleans' summer slump, and investigated the lack of infrastrucure the city has for the people who power its $8 billion-a-year hospitality industry.
I compiled an oral history of the New Orleans independent music industry during the first six months of the COVID-19 pandemic.
[PHOTOS] I followed the many hustles of an Orisha dancer during the fall of 2020, photographing her as she performed and taught, in person and online.
I profiled one of the most interesting musicians in New Orleans, who'd previously never been interviewed.
The FADER
The FADER Interview (AUDIO): Mary Lattimore & Paul Sukeena
The FADER Interview (AUDIO): billy woods and Preservation.
Sasami Ashworth has been reinventing her musical self since long before the release of her first song. As a child in the El Segundo neighborhood of Los Angeles, she took piano lessons and sang in the Unification Church - known to many Americans as The Moonies - where her parents belonged.
There are few contemporary bands as prolific and slippery as Animal Collective. In the first two decades of their collaborative career, the boyhood friends from Baltimore experimented in sound art, warped the edges of avant-pop, exploded into mainstream maximalism, and, finally, returned to an ambient, deconstructed naturalism.
The FADER Interview: Jenny Hval
The FADER: What's your initial reaction to Eric Adams' recent statements on drill? Jack Lerner: To me, this is just one incident in a long line of policy makers, the media, and law enforcement scapegoating the artistic expression of young Black men to stoke fear and redirect attention away from the bigger problem.
The Super Bowl famously does not pay its marquee artists, a move they justify by pointing to the amount of exposure these acts receive by performing. ( 96 million viewers tuned in to watch the Weeknd's performance last year.) But while this year's headliners - Dr. Dre, Kendrick Lamar, Eminem, Snoop Dogg, and Mary J.
Hanif Abdurraqib is a poet, essayist, podcaster, and curator of worlds. His ability to find parity in the disparate, along with his exquisite command of the English language, has made him one of the 21st century's most celebrated cultural critics.
Before they released their first album, Black Country, New Road had already been dubbed " the best band in the world" by John Doran of The Quietus. Most of the songs on For The First Time had been released - or at least played live and uploaded to Youtube - by the time of its February 5, 2021 release.
"She's reckless, and out of control, and it's pure evil," Jae Matthews says in a voiceover near the end of her new horror film, The Runner, discussing the movie's murderous protagonist. "But there's a human side to her too, and I hate to say it, but I can kind of relate."
The Brian Lehrer Show
As hurricane season begins, the commissioner of NYC's Emergency Management Department talks about how to prepare, and how to decipher warnings ahead of future storms.
The latest on the new eviction moratorium and how renters and landlords can apply for the state rent relief program.
The Centers for Disease Control and Prevention has tracked a recent increase in deaths involving cocaine and synthetic opioids
Discussing the high cost of air conditioning and the moral quandary presented by ACs in a warming world.
Ross Barkan discusses his new book on Cuomo, and why he feels praise for the governor's pandemic leadership was undeserved.
Selected Album Reviews
Emma Ruth Rundle lives on a gloomy planet. Drop a needle on one of her records and imagine her shuffling down an otherwise sunny street beneath her own personal raincloud, shivering in an oversized trench coat. The clouds gather as you listen, and before long, darkness has fallen.
The third album from the duo of Juliette Pearl Davis and Joachim Polack takes on the soft psychedelic hues of Stereolab and Wendy Carlos, shot through with malaise and a curious sense of overstimulation.
The Tennessee rapper’s latest four-song EP is a concentrated burst of energy with perfectly paced flows and a vibe that's always ready for the dancefloor.
New Zealand psych rocker Connan Mockasin’s collaborative album with his dad, Ade, has bad jokes, stream-of-consciousness poetry, and an odd, undeniable appeal.
ALBUM OF THE DAY The age of "I actually wrote this album pre-Covid, but it feels prescient now; I guess I was channeling something..." is finally coming to a merciful close.
More Selected Interviews
Selected Essays
An accelerated listening guide through Scott Walker's expansive discovraphy.
In which I marvel at Bill Callahan and Bonnie "Prince" Billy's remarkable collaborative run and extol its final insallment, a cover of Silver Jews' "The Wild Kindness"
In which I selfishly re-direct the narrative from MF DOOM's tragic death to my experience growing up with his music as a suburban white kid.
by Raphael Helfand As many of you may have noticed, we haven't posted our usual Favorite Music round-ups these past two months. These lists are massive projects for us, and everyone at LaidOff has been busy and stressed. To lighten our load and switch things up a bit, we'
In which I hit the road with the New Orleans experimenal rock band Primpce and documented the journey.
An alternate take on a "key player report" for an unsuccessful application to Yankees blog Pinstripe Alley.
Other
Will Oldham grew up in Louisville, KY by a bend in the Ohio River, and recorded his debut album, There Is No-One What Will Take Care of You, in a shotgun house. Still, when I try to force a connection between his humble beginnings and his upcoming weekend double-header at The Music Box-a musical shantytown just off the winding Mississippi-he's reticent.
Kero Kero Bonito has undergone a sea change. Their sound, once radically cheerful, matured into angsty uncertainty with the release of Time 'n' Place in early October. The British pop project started as a simple synth trio, with Gus Lobban and Jamie Bulled manning the boards, and Sarah Midori Perry singing and rapping, alternating enthusiastically between English and her native Japanese.