GENESIS BREYER P-ORRIDGE. Ode to a First-Class Transgressor
Interview to GENESIS BREYER P-ORRIDGE
Statement
María Muñoz is a cultural agent educated in History of Arts and Telecommunications Engineering, that hybridity is part of her nature. Straddling between Berlin and Barcelona, she is a professor at Ramon Llull University Barcelona and at the same time she manages cultural projects — cultural events design & management, expository works, classes and conferences, communication tasks — of different conceptual and geographical nature. She writes and interview artists — woking in any medium —regularly for different media focusing on contemporary art and thinking, emphasizing the confluence between art, socio-politics in the digital age, and technology. Her studies in engineering and art have shaped her a critical imagination pairing it with her already rational and extravagant one.
Publications
Since November 2019 she is board member, editor and communications head at the digital platform A*desk, Art & Critical Thinking Platform. In June 2019 she goes from being a collaborator to art editor in Neo2 magazine.
From 2015 she began regular contributions as art editor in well-known Spanish magazine Neo2 (print and online); international METAL Magazine (print and online): A*desk, a publication of international renown in contemporary art criticism and contemporary art platform and magazine Chrom-art. She has also collaborated with El Estado Mental (Madrid), Design Editorial Santa i Cole (Barcelona), Zoom Magazine (North Africa), Solemne (Guatemala-Mexico), Blau Magazine (Germany) among others.
Interview to GENESIS BREYER P-ORRIDGE
During the press conference on the occasion of the 13th nomadic biennial Manifesta central exhibition's last chapter opening -which this year is happening in France for the first time, specifically in the southern city of Marseille- the curatorial team said that climate change, including the biological virus that affects us these days, cannot be separated from social justice, it is all the effect of an accelerated economy.
This article was crowdfunded by our readers A lo largo de la historia, el arte ha evidenciado lo frágil de la existencia humana. Esa cíclica existencia. En tiempo de coronavirus, recuerdos de epidemias que asolaron a la humanidad regresan y, con ellas, sus representaciones artísticas.
Franco 'Bifo' Berardi (Bologna, 1949) is a post-Marxist philosopher and theoretician who plays an important role in the Italian autonomist movement. After graduating in Aesthetics at the University of Bologna, Berardi founded A/Traverso fanzine and was the driving force behind Radio Alice, the first pirate radio station in Italy.
The 11th iteration of the Berlin Biennial titled The Crack Begins Within opened its doors ten days ago and it will be on display till November the first, 2020. The Epilogue of this 2020 edition, emerges as a final chapter
Interview winers Golden Lion for the Best Pavilion Venice Biennale for Arts 2019. RUGILE BARZDŽIUKAITE, VAIVA GRAINYTE, AND LINA LAPELYTE.
"We cannot afford to ignore the limitless manifestations of what is arguably the singular cultural and intellectual achievement of our era: the web-based decisioning power of Algorithm". Michael Pepi, Iconology in the age of algorithm (2011).
Um die Ecke - Barcelona Raval Cultural Life. In German
Foto Lorenzo Palmieri. Cortesía de Pirelli HangarBicocca. Esa transversalidad y amalgama que en las últimas décadas ha trastocado miles de conceptos, impregna el trabajo de Daniel Steegmann Mangrané, un autor que abraza un multidisciplinar amasijo creativo. Su carrera como artista arrancaba hace 20 años.
Su experiencia intercontinental entre Brasil y España han actuado como disparadores de emociones contrastadas. Marlon sabe que el objeto no puede separarse de su contexto, ni las personas de sus entornos, y lo experimenta de manera cotidiana como ciudadano de a pie.