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Innovative and resourceful process-driven leader with robust history of writing, editing, and leadership achievements. I bring clarity and order to chaos.
Current: HubSpot Media
Past: Doha Debates, The A.V. Club
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Lucy Davis' career has always moved between comedy and drama, from Jane Austen to zombie-killing to a career-launching role as Dawn in Ricky Gervais and Stephen Merchant's The Office. She's long been a regular on British television, and will be most familiar to U.S. audiences as the bubbly Etta Candy from...
Judy Blume has given voice to the hopes and fears of pre-teens and teenagers since before many of her readers were even born. Blume speaks frankly to the timeless trials of puberty, raising the ire of many a school board with books like Deenie, Forever… , and Are You There, God? It’s Me, Margaret, all the while earning her status as one of America’s most beloved authors.
11 questions with Peep Show's Robert Webb. Contains strong language.
Robin Ince and Brian Cox bring all the charm of The Infinite Monkey Cage podcast to this discussion with The A.V. Club about creationism, an extinction theory involving constipated dinosaurs, the lasting imagination and skepticism of Carl Sagan—and why science should be part of popular culture.
Dean Strang and Jerry Buting, Steven Avery’s attorneys during his trial for Teresa Halbach’s murder, spoke to The A.V. Club about whether this case has rattled their faith in the U.S justice system and how they’re trying to use their newfound fame—more than a decade after the initial trial—to create lasting change.
As the frontman of The Magnetic Fields, Stephin Merritt produced some of the wryest pop songs of the late ’90s and ’00s, most notably with the three-CD set 69 Love Songs.
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And a lot of us trusted Whedon and his characters and, yes, even his performative feminism. But boy, it sure is a lot more comfortable to listen to a guy tell you he’s a feminist than listen to a lot of women telling you he’s not.
We talked to the brand manager of Jeppson's Malört, Chicago's infamously vile liqueur, to find out how they market something that tastes like burning tire.
Maryam Faraj Al-Suwaidi, the Qatari artist behind Doha Debates' geometric brand pattern, wants to use art to encourage open-mindedness.
The A.V. Club
Cristin O'Keefe Aptowicz shuns easy sensationalism and focuses on the real stories: the man himself, why he became so interested in these oddities, and how he shaped modern medicine, from plastic surgery to doctor-patient relationships to a then-new belief in pre- and post-surgical care.
The battle of uppercase Internet versus lowercase internet, which until now was largely fought quietly among factions of copy editors, has found its way to the Supreme Court.
The real power of Alias Grace is lightly shrouded by a period drama that takes place in 1840s Canada—which could be a slightly musty premise for all but hardcore history buffs. But the women at the core of the story—both the fictional ones on the screen and the real-life ones driving the miniseries—work in deft flashbacks to unfold both a murder mystery and an eerily familiar-looking patriarchy that robs women of their bodily autonomy and humanity.
We at The A.V. Club take our Star Wars seriously, and, like the LA Times, have a dedicated Star Wars section of our style guide.
Slow Club’s latest album, One Day All Of This Won’t Matter Any More, languishes instead of soars. That’s partly by design: The album is filled with dark, midtempo tunes that veer between sleepy and ponderous, an unusual path for a group that, despite its name, has written some exuberant music.
Subtle, this show is not. The first two seasons evoked an operatic struggle of feminism versus misogyny, an epic campaign of right versus wrong, shrunk down to fit the streets of Belfast.
Though the band sounds today about as calypso-inflected as a rutabaga, with not much more than a terrible clipped faux accent to celebrate “Zombie Jamboree”’s roots, this is the first version that became popular and even beloved in the States. The song that killed calypso, indeed.
For a band that sings so much about sex, Pulp’s songs are littered with references to disused factories, dirty supermarkets, and other images of Sheffield, its industrial hometown in the north of England.
Garth Brooks’ name is nearly synonymous with the nouveau country of the early- to mid-1990s, which primed the gravel road to Nashville for a more pop-driven twang.
It’s not that Jet Plane And Oxbow is the depressed city cousin to Animal Joy; it’s that Meiburg has found a place where he has a view of both wilderness and humanity and is trying to make sense of all the complications that entails.
Her’s male-focused style pastiche dislocates the viewer in time, and this is the key to a believable future.
David Mitchell and Robert Webb can take a strange but banal topic—pissing in the shower—and turn it into a weirdly hilarious philosophical musing on whether pissing in the shower makes you feel like a superhero.
Lois & Clark: The New Adventures Of Superman isn’t the best Superman revival in recent decades, but it was instrumental in how we view superheroes today
And a lot of us trusted Whedon and his characters and, yes, even his performative feminism. But boy, it sure is a lot more comfortable to listen to a guy tell you he’s a feminist than listen to a lot of women telling you he’s not.
Consuming true-crime as pop culture already requires some private moral negotiation of finding entertainment in somebody else’s trauma; when that trauma isn’t framed within a larger purpose, it’s a slippery slope into popping popcorn while watching a barely fictionalized man prey on a woman and her family.
Nobody sings about sex quite like Jarvis Cocker.
Dean Strang and Jerry Buting, Avery’s attorneys during his trial for Halbach’s murder, spoke to The A.V. Club about whether this case has rattled their faith in the U.S justice system and how they’re trying to use their newfound fame—more than a decade after the initial trial—to create lasting change.
Nobody who follows Maureen Johnson on Twitter will be surprised when they encounter one of her delightfully offbeat characters: a girl who lives in an old hotel, an eccentric aunt who goes swimming in a dumpster, a girl whose transformative event involves nearly choking to death on a piece of beef.
Country music builds many of its narratives around loves lost and found, and given the traditional gender roles in the first half of the 20th century, most of those were sung by men. As more women found mainstream success, the oft-misogynist tone of country music slowly made room for songs that weren’t about men pining after women, as with Martina McBride’s celebratory 1993 hit “Independence Day,” in which the narrator’s mother ends an abusive relationship by burning down the house.
Lucy Davis' career has always moved between comedy and drama, from Jane Austen to zombie-killing to a career-launching role as Dawn in Ricky Gervais and Stephen Merchant's The Office. She's long been a regular on British television, and will be most familiar to U.S. audiences as the bubbly Etta Candy from...
HubSpot Media
We talked to the brand manager of Jeppson's Malört, Chicago's infamously vile liqueur, to find out how they market something that tastes like burning tire.
We talked to Hootsuite creative brand director Hassan S. Ali to get tips on how to use comedy in marketing.
Fortune Media managing director Maryam Banikarim talks to Masters in Marketing about curiosity, purpose-driven work, and how she piqued the ire of two sets of celeb siblings.
We talked to the pros - including an SEO expert at HubSpot and the senior product director of AI Overviews at Google - to answer questions about Google's AI search you didn't even know you had.
Learn how to write a successful SEO proposal with advice from the experts and our free template.
Doha Debates
For Qatari artist Maryam Al-Suwaidi, the circle characterizes her belief that everything is connected. Sometimes that connectedness is conceptual, slyly circumscribed into the structure of her geometric patterns.
To say that the world was different then is to understate the sheer volume and ingenuity of the technological and creative innovations of the late 20th century. When representatives of those countries met at Bretton Woods, the leaders were living in a world where a vaccine for polio, which affected nearly half a million children a year, was still a decade away. Marvel Comics wouldn’t invent the Spider-Man or Incredible Hulk characters for nearly two more decades.
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