Asien Trading
Poem about finding pockets of home in Asian grocery stores during my student exchange in Sweden. Published in SUM Magazine, Malmö University's student magazine.
Kitty Cheung (she/她) is a Cantonese Canadian writer living and creating on unceded Katzie, Tsawwassen, Stó:lō, W̱SÁNEĆ, and Kwantlen land. Her work explores themes of cultural identity, immigrant family dynamics, and belonging within the Asian diaspora. Her writing has been published in The Peak SFU, The Lyre, SAD Mag, Ricepaper Magazine, and Best Canadian Poetry. She has trained in writing cohorts such as Arts Club’s LEAP, the frank theatre company’s Telling It Bent, and Centre A’s Arts Writing Mentorship. Kitty has also performed poetry at the IGNITE! Youth Arts Festival, Under the Table, and APTPOP Poetry Floodlight. She completed her studies in Interactive Arts & Technology and World Literature at Simon Fraser University. Kitty finds solace in zebra pens and drag shows. Follow her work on Instagram @kitscatastrophe.
Poem about finding pockets of home in Asian grocery stores during my student exchange in Sweden. Published in SUM Magazine, Malmö University's student magazine.
Poem critiquing a patriarchal object in my home. Published in Ricepaper Magazine, a Vancouver-based literary magazine which celebrates Asian Canadian culture.
Two poems using objects to investigate Asian family dynamics. Published in SAG Mag, a local Vancouver publication dedicated to stories, art, and design.
Photo essay exploring my cultural identity. Featured in The Peak, SFU's independent student newspaper.
Review of a digital drag show performed by House of Rice, a Vancouver-based drag family of East and Southeast Asian artists. Published in the Arts section of The Peak SFU.
Film review of "The Farewell," a story navigating between Chinese and American cultural values. Published in the Arts section of The Peak SFU.