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United Kingdom
Freelance music and culture journalist. Currently creative producer at Reach plc. Former commercial editor at Time Out.
Get in touch by emailing me: [email protected]
How Florence Road went from after-school covers to an opening slot for Olivia Rodrigo, sold-out shows in the US and impending indie stardom
Waller-Bridge's elegant, meditative musical study of still lives. Plus, whether or Timothée Chalamet is EsDeeKid, the breakout rapper is worth mythologising
Yungblud has built a career around his charisma. His brash, unfiltered persona has seen him dye his hair every color imaginable, wear skirts on stage and cultivate a cult teenage following drawn to his progressive views, which are often shouted over brattish pop-punk anthems.
The Asheville-based songwriter and frontwoman talks heartbreak, logging off social media and how eight years of grafting have helped Wednesday reach their most cohesive sound yet
The viral DJ on growing up in Tottenham, being crowned Londoner of the Year - and how he's turning online success into community action
Blood Orange's 'Essex Honey' explores the grief of hometown returns through his private all-star orchestra of pop music's finest .
Ahead of Outbreak festival's London debut, we speak to the bands, fans and documenters of the DIY scene
The French producer-performer crafts club bangers with classical flourishes, while channeling her rural upbringing
Producer Kenny Beats is one of hip hop's most talented shapeshifters, adapting his sound for any artist's vision. No two of his productions are the same - just compare the trap-heavy beats of KEY!'s album to the computerised aesthetic of JPEGMAFIA's " Puff Daddy", or the way that Anger Management , his collaborative mixtape with punk-rapper Rico Nasty, combines lacerating vocals with abrasive, bass-heavy production - but they all carry a flavour that is distinctly, unmistakably his.
Time Out speaks to Mums Against Donk, Planet Fun and Lobsta B about how donk turned into one of London's most fashionable club scenes.
