Artist of the Week: Ville Kallio
"It’s a libidinal death cult with a serious bureaucratic veneer. It’s like an ever-present background radiation of evil."
"It’s a libidinal death cult with a serious bureaucratic veneer. It’s like an ever-present background radiation of evil."
“If you really try to distill this whole genre that now stretches around the world, what is the essence of it? It’s the dance.”
Twenty-nine years after his death, the work of Faber Birren, EX’23, still colors the world around us.
There's something unusual about DJ Deeon's Friday night set at Pilsen's Fiesta del Sol: it's clean.
For twenty-one years, Dr. Lyn Hughes has been making black labor history visible in Pullman.
A translator par excellence breaks down Tocqueville and textuality.
"The production always has to change. For me, it changed without a thought. It just happened."
Matthew Dean, director of operations at Rockefeller Memorial Chapel, has an interesting fact to share: the term a capella is Italian for "in the style of the chapel."
From the day she got her first ghettoblaster while growing up in Chatham, Jana Rush––aka JARu––has always been connected to Chicago music.
On its second outing, Kero Kero Bonito's Tokyo-by-way-of-London sound hits its stride.
Before you heard Ric Wilson, you might have retweeted him.
The first thing you notice about "A Willing Suspension of Disbelief" is the drone of church bells played back in reverse.
I became a pastor to help the people, people that need help.
As the old cliché goes, artists must "find their voices." The rap duo Mother Nature, on the other hand, already know what they want to say.